Cine TV Contest #38 - Favorite Political Movie or Television Show

We have new contest here that will make us be familiar with political events that have been happened in the world and have some exciting and this what make me happily want to add new entry to it, This contest By cinetv you can find it here Cine TV Contest #38 - Favorite Political Movie or Television Show

The film tells the story of Stephen Myers, an idealistic young man in the field of communications, the second man to lead the presidential campaign of "Mike Morris" and a true believer in this man. Coming himself embroiled in a political scandal threatening his country's candidate.

Maurice's rival candidate asks to meet Stephen and promises him a job. The North Carolina senator stumbles. Youth campaign intern Molly Stearns attracts Stephen's attention, but she appears to be carrying a major bluff. That Stephen trusts her.

The movie business, in which he directs a wonderful cast of stars, does not look different in its general theme than the film that gave George Clooney two Oscar nominations in 2005. Much of the timeless relationship between politics and the media is here, but on a different scale, it seems as if it is a game that George Clooney is good at. Exactly, and unlike the previous film, which was the main focus of the media, the dirt of politics seems to be a fertile material for the new cinematic work.

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The Story

About Stephen Myers, CEO of Paul Zarra's election campaign to bring Governor Mike Morris to the presidency of the United States representing the Democratic Party. But things go wrong one night when Myers stumbles on a phone call that threatens his relationship with the campaign trail and with Governor Morris himself.

The script of the film, which quotes Paul Willimon's play Farragut North, is one of the finest. What makes it so special among all I've seen this year is its acceptability. The plot seems so perfect that you don't have to tire yourself out as you investigate its basic idea of ​​the dirtiness of the political game. And through this idealism, it eliminates many of the mental barriers that stand in the way of accepting its events, so you can only enjoy while watching the development of events in the way of the easy one.

There is a slight barrier that the text makes between Paul and Stephen on the one hand and Morris on the other, with which one can only be persuaded that the campaign leadership duo are essentially doing their job, without any emotional charge that might seem artificial towards their boss, Morris himself, although The script flirts with the notion of convictions that create campaigners' commitment to the candidate they serve, it does so with Stephen on one or two occasions that don't serve him at all and even shakes up some of the rationale for Stephen's reaction in the second half of the film.

On the other hand, the relationship between Paul and Stephen is not more intimate than it appears, so easily in the first half of the work we will see how seriously Paul shows the task at which he is working, and the human tinge that underlies Stephen's seriousness in this noisy world, then our eyes do not miss the quality of the relationship The attractiveness that the text weaves between Stephen and Molly, and the limits of the emotional dimension in it, which the text insists on not transcend towards a true and complete love relationship, and at the same time not paint it with the traditional image of the usual emotional relationships between an employee and her manager, all these details that we pick up from the first half of the work It reaches us with real excellence and effectiveness thanks to this text, as a prelude to make us accept what will happen in its second half in a very smooth and not stressful way.

In the second half the text suffers a little in that approach but it does not slip. Morris, as a result, would mean little to Stephen if the latter wanted to destroy his political future, unlike Paul's loyalty and commitment to his manager and his work, and at the same time Stephen to Paul Les More than one person made a mistake in an unbearable process, not a treasure to cling to, while Molly, despite her glamor, attractiveness and self-confidence when she appears to the viewer in the first half, is broken in a balanced way when she finds herself a victim of a game that exceeds her life experience.

In the end, we touched from the film a somewhat dramatic and political aspect, as the film was divided into two halves, as we mentioned, and it is very wonderful to convert from text to text in this smooth manner.

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