Film Review: The Covered Wagon (1923)

12 months ago (Edited)

(source: tmdb.org)

Western is considered the most American of all film genres. It is also the most genuine of all Hollywood products, with early California film makers often seeing themselves as spiritual heirs of intrepid pioneers who conquered American West generation or two earlier. Yet, in the first years of Hollywood, the genre was often looked down as “pulpy” even by those critics who had abandoned their early snobbish scepticism towards film as an art. All that changed in 1923 with The Covered Wagon, silent film directed by James Cruze, known as the first Western epic.

The film represents adaptation of popular 1922 novel by Emerson Hough. The plot begins in May 1848 when thousands of settlers, who had been gathering from the eastern parts of United States, are coming to Westport Landing (today’s Kansas City, Missouri) in order to begin grand journey towards Oregon where they hope to begin new and prosperous life. Large caravan is led by elderly and authoritative Jesse Wingate (played by Charles Ogle) who has brought two men with experiences in the West to help him – Sam Woodhull (played by Alan Hale) and Mexican War veteran Will Banion (played by J. Warren Kerrigen). Those two men soon begin to differ on the ways how to handle various obstacles on their way, but further cause of discord is their romantic rivalry over Wingate’s beautiful daughter Molly (played by Lois Wilson). She prefers dashing and chivalrous Banion, but decides to marry Woodhull after learning that Banion has been thrown out of US Army for stealing cattle. In the meantime, caravan has to endure difficulties with crossing rivers, hunger, cold, Indian attacks and greed that makes some of the participants leave for California after learning about recently discovered gold deposits.

The Covered Wagon is one of the most authentic among all grand Westerns. This is due to Paramount Pictures, in order to recreate scenes of hundreds of wagons moving across the prairies westwards, approached families of actual settlers and asked them to lend them real wagons, many of them actually being still used or kept as family heirlooms. This made possible scene of the caravan crossing Platte River, one of the most spectacular scene in history of American silent cinema, just as well as scene depicting caravan defending itself from attack of hundreds of Indians later in the films. Indians were, unlike with many Westerns before and afterwards, played by actual Native Americans, in this case Arapahos from Wind River Indian Reservation, recruited by cowboy and part-time Hollywood actor Tim McCoy who, thanks to his knowledge of Arapaho language, also served as interpreter for the cast and crew. Director James Cruze, on the other hand, had to rely on his ingenuity and various tricks in order to reconstruct scenes of buffalo hunting, since bison had nearly extinct during Wild West era and it took decades of conservation effort for its population to rise again. Interesting detail of the film is the use of popular song “Oh Susanna” in the film; not discouraged by film being silent, Cruze simply displays sheet music on the screen.

Those spectacular scenes are glued by simple but effective melodramatic plot that employs simple distinction between chivalrous Banion and villainous Woodhull. Those characters are played by matinee idol J. Warren Kerrigan (whose career soon afterwards ended due to face-wrecking car accident) and Alan Hale (who would later have good career as characater actor in sound era), while Lois Wilson plays her character within melodramatic paramters of silent cinema. What is refreshing is use of comic reliefs in form of Banion’s trapper friend William Jackson (played by old Scottish actor Ernest Torrence) and real life historical figure James Bridger. The latter is very enthusiastically played by elderly Tully Marshall and this character becomes much more memorable figure than stereotypical protagonists.

Cruze’s film required huge budget from Paramount Pictures, but the gamble more than paid off. Film was enthusiastically embraced by public, including US President Warren G. Harding, and became big hit. Its success proved that Westerns can be grand films and next year rival studio Fox Pictures made their own Western epic The Iron Horse, a film that would become one of the first great works of John Ford, director most associated with the genre.

RATING: 7/10 (+++)