Retro Film Review: Everybody Is a Killer (Pour le plaisir, 2004)
Originality, a scarce commodity among Hollywood comedy screenwriters, can still be found among European filmmakers. One of them is Belgian director Dominique Deruddere, whose 2004 comedy Pour la plaisir, better known internationally under English title Everybody Is a Killer, combines French farce with certain plot elements seemingly more suited to classic westerns.
The film opens with Dr. Vincent Moreau (portrayed by Samuel Le Bihan) driving a Ferrari, serving as both psychiatrist and narrator. Through a flashback, we are introduced to a small town in northern France where Dr. Moreau runs his practice. The townspeople endure relentless bullying from local sociopath Maurice Weckman (played by Harry Cleven), yet no one dares to confront him. Meanwhile, local mechanic François (portrayed by François Berleand) is preoccupied with his wife Julie's (played by Nadia Ferres) lack of passion in their relationship. Seeking advice, François confides in Dr. Moreau, revealing Julie's unusual fascination with murderers. Dr. Moreau suggests he indulge her fantasy, leading François to falsely claim he committed a murder. Initially successful in reigniting their relationship, François finds himself a murder suspect when Weckman meets a violent end. Despite this, his arrest elevates his status in town. As François fights to prove his innocence amidst a growing cult of personality, Dr. Moreau and Julie find themselves drawn to each other.
Guy Zilberstein's script draws inspiration from the classic western The Man Who Shot Liberty Valance, skillfully blending elements of murder mystery, social satire, and black comedy. The script's strengths align well with the director's vision, maintaining the film's pace until a surprising twist unfolds at the end. While relatively short, the film excels in its character development and plot intricacies.
The casting, particularly François Berleand's portrayal, stands out, showcasing his versatility beyond villain roles. His performance as the middle-class husband is compelling and authentic. Against expectations, Samuel Le Bihan delivers a convincing portrayal of a psychiatrist. However, Nadia Farres' chemistry with Le Bihan falls short, impacting their on-screen dynamic. Olivier Gourmet's portrayal of a police detective veers slightly towards exaggeration.
Despite minor casting challenges, Pour le plaisir merits recommendation for its engaging blend of diverse film genres, offering a highly entertaining and effective viewing experience.
RATING: 7/10 (+++)
(Note: Original version of the review is available here.)
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