Retro Film Review: The Cincinnati Kid (1965)
Great films are not the only ones that age well. Even certain lesser titles can significantly improve over time. This is likely because inferior films from the past tend to fare better when compared to contemporary inferior films. One such film that benefits from this phenomenon is The Cincinnati Kid, a 1965 drama directed by Norman Jewison.
The story unfolds in 1930s New Orleans, focusing on Eric Stoner, also known as the Cincinnati Kid (played by Steve McQueen), a young professional gambler renowned as the best stud poker player in town, and possibly the entire country. Despite his skill, the prestigious title of "The Man" is held by the much older and more experienced Lancey Howard (played by Edward G. Robinson). Lancey arrives in New Orleans and showcases his exceptional abilities by humiliating local aristocrat Mr. Slade (played by Rip Torn). When Eric challenges Lancey, Slade eagerly assists in seeking revenge for his own humiliation, offering "friendly" advice to Shooter (played by Karl Malden), Eric's longtime friend who deals cards at professional games.
If produced today, The Cincinnati Kid would likely face criticism from reviewers for its leisurely pace, underdeveloped characters, unnecessary romantic subplots, and at times, overt lack of subtlety in certain symbolic scenes. However, the film shines in its final moments, portraying the poker game as an epic showdown. This success can be attributed to the editing finesse of Hal Ashby and the charismatic presence of Steve McQueen, whose on-screen persona seems tailor-made for such roles. The ensemble cast, featuring veterans like Joan Blondell and Cab Calloway, along with dependable character actors like Jack Weston, delivers commendable performances. Noteworthy are Ann-Margret and Tuesday Weld, who portray the archetypal Bad Girl and Good Girl roles, albeit in somewhat limited capacities. Rip Torn stands out for his portrayal of a menacing Southern gentleman who brooks no refusal. Lalo Schifrin's musical score, while not his most iconic work, complements the film effectively within the context of The Cincinnati Kid.
While not the pinnacle of its era or Steve McQueen's career, The Cincinnati Kid can still be recommended as a representation of Hollywood's past glory, which now seems almost incomprehensible.
RATING: 6/10 (++)
(Note: Original version of the review is available here.)
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