"Snowpiercer", a masterpiece of the seventh art

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The ambitious dystopia "Snowpiercer" directed by South Korean Bong Joon-ho in 2013, adapted from the graphic novel "Le Trasperceneige" written by Jean-Marc Rochette and Jacques Loeb, is one of those epoch-making films.

Starring a pre-Marvel Chris Evans and an excellent Song Kang-ho, it presents a futuristic and heartbreaking social allegory.


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In a post-apocalyptic world covered in ice after a failed experiment to solve the problem of global warming, the few survivors inhabit a moving train that symbolises the inequalities of capitalism.

Each carriage represents a social class, from the luxuries of the elite to the misery of the final populace. A metaphor of great impact.

But its greatest success was Joon-ho's adrenalised action and impeccable staging, which turned the vehicle into a character.


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The Korean director knew how to tackle this class struggle in a visceral and hopeful way, without falling into empty Manichaeism.

A masterpiece of the seventh art in capital letters and an example of the talent of a filmmaker who marked an era with Parasites. A must-see.



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