Hello! As part of our ongoing efforts to improve both interaction and curation in the Movies and TV Shows Community, this post is one of many to highlight and boost members of the past week that have posted what we believe is exceptional content.

The Details

Each week, our Moderators will monitor the posts within the Movies and TV Shows Community and handpick the ones that are believed to stand out under numerous factors: post quality, length, and subject.

There are no entry requirements, and this is not a contest, but simply a roundup intended to provide additional exposure to all of you for your efforts. Just have fun posting in the Movies & TV Shows Community and five or more posts will be chosen frequently.

Author: @richardalexis

Obviously, this is largely thanks to the brilliant performances of Willis and Allan Rickman (who plays the antagonist in one of the most iconic roles of his career), on them falls the weight of almost the entire feature film and it is easy to go from the tension to absolute enjoyment with the twists given by the excellent script.

Author: @teknon

With her new looks, Thelma swears to never wash the paint off as people become interested in her. She also uses the opportunity to sing her song which she intended on singing on the day of the talent hunt show before being rudely dismissed by the judges. When asked if she was a real pony, she lies by affirming to being one which earns her a spotlight. But, her friend, Otis, doesn't like the idea of her lying about her identity and true nature. He said she was unique in her natural skin but Thelma preferred the glam and sparkle that made her look like a real pony. She was now seen and she wasn't going to let that go.

Author: @michelledina

The film is directed by Bayu Skak, who is one of the creators of funny and exciting films. What differentiates his films from other film creators is that Bayu Skak always uses Javanese. I think it's good, with funny and exciting language, the audience always laughs at the language spoken. Bayu Skak has made several films, and there are always many fans.

Author: @davidpena21

This sequence has been incredible, it began in 1988, I have not had the opportunity to see it and maybe today it is a little difficult to find it, then years later they released another version where they changed the name, from there they released other television programs, maintaining that great essence. I managed to enjoy many of them and I even remember that they bought me several toys that were related to this movie, being something very special.

Author: @wwwiebe

The cinematography is a testament to Fritz Lang's innovative visual style and the broader aesthetics of German Expressionism. Cinematographer Carl Hoffmann, working closely with Lang, employs a range of techniques to create a world of stark contrasts and unsettling perspectives. The film makes extensive use of chiaroscuro lighting, casting long, dramatic shadows that mirror the moral ambiguity of its characters. Dynamic camera movements, though limited by the technology of the time, are used to great effect, particularly in the gambling den scenes where the camera pans across faces, building tension and revealing subtle reactions. Close-ups are used sparingly but powerfully, often focusing on Mabuse's piercing eyes to emphasize his hypnotic powers. The framing of shots is meticulously composed, with characters often positioned asymmetrically to create a sense of unease and imbalance, reflecting the destabilized society depicted in the film.

Author: @cami.rojas

I identified with Intensamente 2 in an almost indescribable way, I felt many emotions to really understand how changes affect us in such a radical way, that it's okay to feel that your life is a mountain of things that sometimes you can't control and it's even okay to feel anxiety sometimes. The problem is the extremes, the problem is overflowing.

Author: @jhymi

The scenes were predictable with its over used story line of a deadbeat, cheating or overly aggressive husband. I think Black culture is so rich with so many stories to tell, so I don’t get why continuously delving in these stereotypical clichés but just with different cast is becoming the norm in Tyler’s movies. I also think that when it comes to production and storytelling, it would be wiser for him to invest in other producers and scriptwriters. It’s getting more and more obvious that he can no longer or maybe too busy to do this. Acrimony is still one of the most amazing movies I’ve ever watched and I guess Tyler was in a good place then to produce such a masterpiece. But seriously, this and Mea Culpa truly was not just it for me.

Congratulations to everyone that was chosen, and thank you to everyone posting in Movies and TV Shows! We look forward to the next report and highlighting even more of you.