'How To with John Wilson' Season One by John Wilson Review: Documentary filmmaking at its finest

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I feel there's been some creative stagnation in documentaries in recent years. Many seem too focused on pushing their own agendas with obnoxious hosts, or are simply advertisements created by a group of individuals attempting to promote, again, an agenda or a business/industry of some sort.

This is a problem that's always evident in the space of documentaries, where talent isn't required to make a documentary, nor is it required to get it seen in the age of instant digital media. That isn't to say that documentaries are now all terrible, but that the truly good ones that focus on telling the many stories of history, life, and culture are becoming few and far between.

Another blow to the documentary space is audience. In an age of growing costs, filmmaking requires a lot of preparation, time, and money to create something. Money isn't everything, but there's a plethora of costs that follow filmmakers in their quests to tell stories. Making that money back is often unlikely, where documentaries sit at film festivals and rarely reach an audience outside of them after.

How To with John Wilson

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How To with John Wilson is unlike any other documentary series you've seen before. It has a seemingly nonexistent production budget and features what sound like the ramblings and filmings of a madman in the city of New York, filled with people with madness significantly higher. Our narrator roams through the city's streets, filming each and every possible event, person, or object. These images are for the most part without context, but context is later stitched together alongside the clips through the use of narration and metaphors.

Within each episode sits a particular theme. An aspect of life that can be often matched with either inconvenience or complexity. Where as a society we collectively experience these issues and aren't quite sure how to address them. These episodes feature attempts to find answers, but through the events and people John Wilson finds within the city, sometimes these people lead to his travels outside of the city and revealing of a web of additional complexities and issues that people have found in life; this even features some rather peculiar events and people that are trying to also find their own answers in life through unconventional means.

This style of documentary filmmaking seems as authentic to the world of documentaries as it possibly could be, and while there's sometimes some narration or agenda that's displayed in the way the episodes are filmed and edited, it feels incredibly natural. It shows our society for what it is: a facade. It shows the many ways we strive for the assumption that we're sophisticated beings, but even in the cities filled with the most wealth and seriousness in terms of corporatism, everything is in fact very, very stupid.

A man and a camera

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Some of the best documentaries I've seen have been ones in which the host(s) are mostly silent, or the camera is simply a present member with no opinions, simply observing and having a particular world unfold to it. Ones where we feel as if we are in fact present. How To with John Wilson perfectly provides this feeling. You can very much tell that the documentary is simply a man and his camera roaming through the streets, meeting total strangers and discussing life with them. He briefly asks them questions, but these only ever seem to be questions that amplify the topic at hand, where they encourage the person being interviewed to either elaborate or provide their own thoughts on the topic.

John Wilson's questions are engaging, but heavily amplify the random clips of the streets he's accumulated over time to connect the topic to the video. His use of visual metaphors and narration are what allow for comedic elements to slip into the episodes and ensures things aren't too serious. The humour breaks up the attempt to discover answers in life by showing it all in a light-hearted manner, where nothing is really that important or serious, where even figuring out how to split the bill can be a ridiculous, silly event.

It's rare for a documentary to feel as if it isn't trying to sell you something. As if it has no specific agenda. It's incredibly refreshing to see something that just documents life the way the show does. It has you wanting more and more of it as each episode passes, as you see roughly 25 minutes of footage zoom by. Fortunately, there is a second season that is airing now, but I am finding myself really wanting a third season already.

Showing life for what it really is

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Society hides behind the mask that it holds sophistication and that there's a set of rules forever set in place and implemented that allow for us to live in the best ways we believe we can, with the structure supposedly remaining fair for all. We all know that this isn't the case, and John Wilson uses sarcasm thought-provoking questions to pursue this.

In a city like New York, with such a large number of people living in such close proximity, this must be more evident than ever. Where each person is an individual with their own thoughts and lifestyles within the same concrete jungle. This level of individualism is mostly overlooked in our day-to-day jobs, where we pretend to be smarter or open with those around us. In a place where competition among its people must be intense, it must be very easy to quickly forget about who you really are.

For a documentary that's both comedic and a series of clips of random events throughout each day, these are the thoughts How To with John Wilson leaves you with. Thoughts that take a look at ourselves as individuals, as being with strengths and weaknesses, with desires and problems that are both private and public. There's truly nothing quite like this documentary, and I don't think there truly can be, given its formula is so specific to John Wilson's own thoughts and style. Without him, it simply wouldn't work.



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12 comments
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Dear friend @namiks when I was young I was an actor, then I got sick and there was a need to travel to my city Cumaná-Venezuela, cinema was my world and collaborating on documentaries was better but it was more expensive due to the small audience and we had to deliver them to the tv to very low cost. I understand your concern being that it is a beautiful production job and with the Covid pandamia it went down a lot. In any case the narratives in documentaries, which was my strength, must be emphasized, because it is a laborious and beautiful job. Successes from Venezuela @omarrojas with affection.

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I completely agree. Without people getting out and sharing the many stories of the unknown and unheard around the world, we'd all be very bored. We'd have no inspiration for our fiction, no inspiration for creativity, and we'd reduce ourselves to a small box that lacks potential and a want to learn.

I had noticed documentaries were already becoming more and more sparse even before the pandemic, so it's sad that the area of film is now even more difficult to pull off. But, in a way, this might just inspire some youthful filmmakers into setting up their cameras, like John Wilson, and finding stories that sit on their doorsteps. :)

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Dear friend @namiks , there are always spaces for the cinema and especially for Documentaries, our land is very wide to narrate events from many localities, for example each variety of the animal world, the various ecological environments, the different cultures, in short to tell a whole world . Successes in Hive esteemed, especially if you are Administrator of a very important community. Hugs of @omarrojas from Venezuela.

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This is an interesting concept, if not a new one. I love photographs of everyday life, free of posing and contrived postures. A documentary in the same vein seems like something I'd enjoy. I'll have to look for it.

Thanks for sharing this post!

Cheers!

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It's definitely worth checking out. It's something very rare for sure. If you can't find it anywhere, his Vimeo page has some shorts up of a similar nature before HBO picked him up for a series.

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Very well written review. It is raining CINE for your efforts. ;-)

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I like the sound of this guy. We don’t see many documentaries of John Wilson’s style here in the UK. There have been some in the past. Most of the time they are the high end sort, slick production etc. what we see a lot of our similar programmes with a different host, on a different channel, visiting places the other channels have visited. It’s a bit like our top presenters have been on the same trip but providing a different narrative.

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Recently, I've found that there's a host that actually does do something quite different here: Rob Bell. A lot of his works are for Channel 5, so they might be hard to find (I haven't looked). But they're very much focused on British engineering and British culture. I haven't seen anything similar in about a decade, when the BBC channels would often air lots of cultural and historical documentaries.

The ones featuring Rob Bell for C5 have a very limited budget, it's quite nice how simple they are.

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Rob Bell... looking him up, sounds vaguely familiar... which will because I watched one of his programmes the other night about the old railway lines of Cornwall. He is very good indeed.

Tim Dunn is very good too, his series "The Architecture the Railways Built" is superb, on the Yesterday channel. I also avidly follow John Rogers who does a lot of material on London, you can find him on YouTube. He films it all himself.

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